Andreas Jäggi (*1989, Schaffhausen) is a Swiss visual artist whose practice explores the materiality and limitations of digital images. His recent works investigate the aesthetic potential of artificial intelligence in image production, focusing on how low-resolution or fragmented photographs can be transformed through AI-based upscaling into painterly, hybrid reconstructions.
By shifting the emphasis from photographic origin to algorithmic interpretation, Jäggi’s works highlight both the possibilities and the blind spots of machine vision. The algorithm generates textures and gradients that go beyond mere enlargement, creating images where human intention and statistical probability intersect.
Educated at Zurich University of the Arts (BFA Fine Arts, 2017), Jäggi has exhibited at institutions such as Kunstmuseum Olten, Kunsthaus Pasquart Biel/Bienne, and Stadtgalerie Bern.
Andreas Jäggi (*1989, Schaffhausen) is a Swiss visual artist whose practice explores the materiality and limitations of digital images. His recent works investigate the aesthetic potential of artificial intelligence in image production, focusing on how low-resolution or fragmented photographs can be transformed through AI-based upscaling into painterly, hybrid reconstructions.
By shifting the emphasis from photographic origin to algorithmic interpretation, Jäggi’s works highlight both the possibilities and the blind spots of machine vision. The algorithm generates textures and gradients that go beyond mere enlargement, creating images where human intention and statistical probability intersect.
Educated at Zurich University of the Arts (BFA Fine Arts, 2017), Jäggi has exhibited at institutions such as Kunstmuseum Olten, Kunsthaus Pasquart Biel/Bienne, and Stadtgalerie Bern.